Wandelkonzert zum 170. Gründungsjubiläum des Tonkünstlervereins Dresden
Mitwirkende
- Susanne Branny Violin
- Jörg Faßmann Violin
- Yuki Manuela Janke Violin
- Michail Kanatidis Violin
- Robert Kusnyer Violin
- Mechthild von Ryssel Violin
- Matthias Wilde Cello
- Titus Maack Cello
- Marie-Annick Caron Viola
- Stephan Pätzold Viola
- Anke Heyn Cello
- Simon Kalbhenn Cello
- Catarina Koppitz Cello
- Helmut Branny Double Bass
- Sabine Kittel Flute
- Bernhard Kury Flute
- Eszter Lindner-Simon Flute
- Rozália Szabó Flute
- Michael Goldammer Oboe
- Sibylle Schreiber Oboe
- Moritz Pettke Clarinet
- Jan Seifert Clarinet
- Erik Reike Bassoon
- Hannes Schirlitz Bassoon
- Philipp Zeller Bassoon
- David Harloff Horn
- Marie-Luise Kahle Horn
- Manfred Riedl Horn
- Jochen Ubbelohde Horn
- Sven Barnkoth Trumpet
- Florent Farnier Trumpet
- Helmut Fuchs Trumpet
- Tobias Willner Trumpet
- Astrid von Brück Harp
- Christian Langer Marimbaphone
- Jobst Schneiderat Harpsichord
- Dariya Hrynkiv Piano
gespielte Werke
1) Lichthof
Fanfare: »Dresdner Aufzug« von »Anonym« (um 1760 in Dresden)
2) Kleiner Ballsaal
Anton Bernhard Fürstenau: Fantasie für Flöte und Harfe op. 67
Clara Schumann: 3. Satz »Andante – piu animato« aus Klaviertrio g-Moll op. 17
Johannes Brahms: 3. Satz »Scherzo« aus FAE-Sonate
Felix Draeseke: 2. Satz »Sehr schnell und prickelnd – Trio« aus Streichquintett F-Dur op. 77
3) Riesensaal
Heinrich Schütz: Canzonae: „Verleih uns Frieden gnädiglich“ SWV 37
Jan Dismas Zelenka: »Allegro« aus Sonata Nr. V F-Dur
Antonio Vivaldi: Konzert für Fagott, Streicher und Basso Continuo e-Moll
4) Türckische Kammer
Wolfgang Amadeus Mozart: Ouvertüre zu »Entführung aus dem Serail« (Harmoniemusik)
5) Eckparadesaal
Johann Joachim Quantz: Triosonate für Flöte, Violine und Basso Continuo G-Dur »Vivace – Largo – Allegro«
Johann Adoph Hasse: 1. Satz »Allegro« und 3. Satz »Allegro« aus Sinfonie Nr. 6 g-Moll op. 5
6) Kunstkammer Gegenwart
Hans Werner Henze: First scene »Misteriously, tempo of a funeral march«, Second scene »Very fast« und Third scene »Very slowly, extremely quiet, whispering« aus Five Scenes from the Snow Country
Siegfried Mathus: Trio für Flöte, Viola und Harfe
Erwin Schulhoff: Bassnachtigall
7) Lichthof
Richard Strauss: Serenade Es-Dur op. 7
Corrado Maria Saglietti: 3. Satz »Speedy« aus Suite für Horn und Streichquartett
- Monday14.10.2420:00 UhrResidenzschloss – Kleiner Schlosshof
Yuki Manuela Janke
Born into a family of musicians in Munich, her career began at an early age. Her breakthrough came at the latest with numerous prizes at the Sarasate, Paganini and Tchaikovsky competitions, which quickly took her to the world's most important stages as a soloist. As a soloist and chamber musician, Yuki Manuela Janke also inspires as concertmaster of the most traditional orchestras. Her interpretation of Richard Strauss' "Heldenleben" in the Golden Hall in Vienna with the Staatskapelle Dresden and Christian Thielemann attracted particular attention.
As concertmaster of the Staatskapelle Berlin, she enjoys the trust of conductors such as Daniel Barenboim and Zubin Mehta. She is a regular guest with the Munich Philharmonic Orchestra, the Leipzig Gewandhaus Orchestra and various orchestras abroad. She received her most important musical impulses from Igor Ozim at the Mozarteum Salzburg and through chamber music collaborations with Christoph Eschenbach, Wolfgang Emanuel Schmidt, the Hagen Quartet and the Tokyo String Quartet. Her broad repertoire ranges from baroque and romantic music to contemporary composers such as Jörg Widmann, Wolfgang Rihm, Krzysztof Meyer, Nicolas Bacri and Markus Schmitt. Her repertoire also includes forgotten works such as Franz Clement's Violin Concerto, which Janke recorded with Reinhard Goebel and the Nuremberg Symphony Orchestra. She plays on a violin by Robert König & Michael Betcher.
Helmut Branny
The work of conductor and double-bass player Helmut Branny is astonishing in its artistic range and variety. Since 1994 he has been »Primus inter pares« of the Dresden Kapelle Soloists, an ensemble largely made up of members of the Staatskapelle, which he has regularly accompanied to Europe’s top classical venues, such as the Philharmonic Halls of Berlin and Cologne and La Scala in Milan, as well as to some of Asia’s great concert halls, for instance in Tokyo, Osaka and Seoul.
Helmut Fuchs
Helmut Fuchs, born in1984 in Oberndorf bei Salzburg, started his education at the age of six with trumpet lessons at the Musikschulwerk Salzburg with Martin Mühlfellner. In 2001 he switched to Igor Oder with whom he was also studying during his time at the Militärmusik Salzburg (20013-2004). In 2004 he started his trumpet studies at the Mozarteum University Salzburg with Gottfried Menth. In 2005 he carried on at the University of Music and the performing Arts Vienna and studied with Josef Pomberger. In addition to his education as a concert instrumentalist he also studied instrumental education. He finished both studies in 2009/2012 with honours.
