Chamber Music Evening N° 4
Mitwirkende
- Yuki Manuela Janke Violin
- Michail Kanatidis Violin
- Marcello Enna Viola
- Teresa Beldi Cello
-
Dresdner Kammerharmonie
- Andreas Kißling Flute
- Bernd Schober Oboe
- Wolfram Große Clarinet
- Joachim Hans Bassoon
- Robert Langbein French Horn
Contributing guests
- Margot Gélie Harp
- Christian Gaul Erzähler
- Liam Dugelay Piano
gespielte Werke
André Caplet
- Conte fantastique d’après »Le Masque de la Mort Rouge« d’Edgar Allan Poe with reading of the story of the same name
Ludwig Thuille
- Sextett B-Dur op. 6 for Piano and Winds
Jean Françaix
- »L'heure du berger«
Francis Poulenc
- Sextet for wind quintet and piano
A wartime injury forced the talented conductor André Caplet to give up his post as musical director at the Paris Opera. And so the musician, who was born in Le Havre in 1878, soon devoted himself entirely to composition. As a pupil of Claude Debussy, he abandoned his teacher’s Impressionism in favour of the avant-garde, for example in the music he composed for the modern concert harp. In 1919, Caplet wrote a »Fantastic Tale« for harp and string quartet inspired by Edgar Allan Poe’s story »The Masque of the Red Death«. The work wonderfully captures both the dark and ghostly atmosphere of the tale while reflecting on the composer’s own experiences of war.
- Thursday23.1.2520:00 UhrSemperoper
Duration approx. 85 min - including a break
Yuki Manuela Janke
Born into a family of musicians in Munich, her career began at an early age. Her breakthrough came at the latest with numerous prizes at the Sarasate, Paganini and Tchaikovsky competitions, which quickly took her to the world's most important stages as a soloist. As a soloist and chamber musician, Yuki Manuela Janke also inspires as concertmaster of the most traditional orchestras. Her interpretation of Richard Strauss' "Heldenleben" in the Golden Hall in Vienna with the Staatskapelle Dresden and Christian Thielemann attracted particular attention.
As concertmaster of the Staatskapelle Berlin, she enjoys the trust of conductors such as Daniel Barenboim and Zubin Mehta. She is a regular guest with the Munich Philharmonic Orchestra, the Leipzig Gewandhaus Orchestra and various orchestras abroad. She received her most important musical impulses from Igor Ozim at the Mozarteum Salzburg and through chamber music collaborations with Christoph Eschenbach, Wolfgang Emanuel Schmidt, the Hagen Quartet and the Tokyo String Quartet. Her broad repertoire ranges from baroque and romantic music to contemporary composers such as Jörg Widmann, Wolfgang Rihm, Krzysztof Meyer, Nicolas Bacri and Markus Schmitt. Her repertoire also includes forgotten works such as Franz Clement's Violin Concerto, which Janke recorded with Reinhard Goebel and the Nuremberg Symphony Orchestra. She plays on a violin by Robert König & Michael Betcher.
Teresa Beldi
Teresa Beldi, born in Hamburg in 1993, studied with Prof. Hillel Zori in Tel Aviv, with Frans Helmerson at the Barenboim-Said Academy in Berlin and with Claudius Popp at the Hochschule für Musik Hanns Eisler. She also received important musical inputs from David Geringas, Arto Noras and Jens Peter Maintz.
Teresa’s concert engagements as a soloist and chamber musician have taken her outside Germany to France, Holland, Romania, Bulgaria, Israel and Italy.
Teresa has performed as a soloist with the Banatul Timisoara Symphony Orchestra, the Oltenia Craiova Symphony Orchestra (Romania), the Philharmonic Orchestra oft he Plovdid State Opera (Bulgaria) and the Hamburg Symphony Orchestra, among others, in venues such as the Laeiszhalle Hamburg, the Halle aux Grains Toulouse and the Elbphilharmonie Hamburg. In addition to Haydn’s cello concerti (D major), Shostakovich No. 1 and Lalo, she performed Haydn’s Cello Concerto in C major under the baton of Zubin Mehta in Tel Aviv in 2016 and Dvorak’s Cello Concerto with the Hamburg Symphony Orchestra and Ion Martin in 2019.
As a chamber musician, Teresa performed several times in the Pierre Boulez Hall, in various groups and as part oft he Boulez Ensemble, at the Whitsun Festival Schloss Ettersburg, at the Usedom Music Festival and at the Mozart Festival Würzburg (in collaboration with the Minguet Quartet).
Liam Dugelay
After studying at the Conservatoire à Rayonnement Régional de Paris, the French-Canadian pianist Liam Dugelay became artist in residence in Louis Lortie and Avedis Koujoumdjian’s class at the Queen Elisabeth Music Chapel (QEMC) during the 2021-2022 season, completing in parallel his bachelor in two years at the Koninklijk Conservatorium under Aleksandar Madzar’s guidance.
Searching for different musical approaches Liam participated in Orford Music academy (near Montreal) where he was semi-finalist of the 2022 price, Domaine Forget (Québec), Saline Royale, Villecroze or Ravel academies with teachers such as A. Kouyoumdjian, L. Lortie, JF Neuburger, JF Heisser, D. Pascal and S.D. Buchner. He was also finalist in Jarrousky Academy (Paris).
Very interested in contemporary music he worked with composers such as Michael Jarell, Philippe Hersant and Jean Frédéric Neuburger.