New Year's Eve Concert of the Staatskapelle Dresden
Mitwirkende
- Karina Canellakis Conductor
- Fatma Said Soprano
- Jonah Hoskins Tenor
- Kirill Gerstein Piano
gespielte Werke
Leonard Bernstein
- Overture to »Candide«
- Concert Suite No. 1 from »West Side Story«
George Gershwin
- Piano Concert in F-Dur
- Overture to »Girl Crazy«
- »They Can't Take That Away from Me«
- »I Love to Rhyme«
Erich Wolfgang Korngold
- Prelude and Serenade from »Der Schneemann«
Max Steiner
- »Tara's Theme« from »Gone with the Wind«
Cole Porter
- »Wunderbar« from »Kiss Me, Kate«
- Sunday29.12.2417:00 UhrSemperoper
- Monday30.12.2419:00 UhrSemperoper
Karina Canellakis
Internationally acclaimed for her emotionally charged performances, technical command and interpretive depth, Karina Canellakis has become one of the most in-demand conductors of her generation. She is the Chief Conductor of the Netherlands Radio Philharmonic Orchestra and the Principal Guest Conductor of the London Philharmonic Orchestra. This season, Karina will be the featured Artist-in-Residence at Vienna’s famed Musikverein, conducting four different orchestras; the Wiener Symphoniker, ORF Radio-Symphonieorchester Wien, London Philharmonic and the Netherlands Radio Philharmonic. The four programmes present a range of iconic repertoire including Shostakovich’s powerful 8th symphony, Janacek’s Glagolitic Mass and Beethoven’s “Eroica” Symphony. Karina’s 23-24 guest engagements include her debut with the New York Philharmonic as well as return engagements with the Boston Symphony and Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Rundfunk-Sinfonieorchester Berlin and NDR Elbphilharmonie. Following last season’s highly successful tour of Germany with the London Philharmonic and Daniil Trifonov, Karina again leads the orchestra to Munich, Athens and Vienna. She presents exciting contemporary pieces and commissions as well as well-known masterpieces at the Concertgebouw Amsterdam and TivoliVredenburg in Utrecht with the Netherlands Radio Philharmonic. Particular highlights include a concert performance of Wagner’s Siegfried as part of the prestigious Zaterdag Matinee series. After the great successes of “Kat’a Kabánova” and “The Cunning Little Vixen” with the Netherlands Radio Philharmonic in previous seasons, she continues her series of Janáček operas with “ The Makropulos Case”. She will also conduct “Der Rosenkavalier” for Santa Fe Opera in the summer of 2024. Her concert performances of acts of Wagner’s “Die Walküre”, “Tristan und Isolde”, and “Siegfried” have been met with tremendous critical praise, and she has conducted critically acclaimed productions of Tchaikovsky’s “Eugene Onegin”, Mozart’s “Don Giovanni”, “Die Zauberflöte”, “Le nozze di Figaro”, David Lang’s “the loser” and Peter Maxwell Davies’ “The Hogboon”. April 2023 saw the start of a multi-album collaboration between Karina, the Netherlands Radio Philharmonic and Pentatone with their debut release; Bartok’s Concerto for Orchestra and Four Orchestral Pieces. Karina and the RFO were also featured artists for the launch of Apple Classical in a recording of Beethoven’s Piano Concerto no. 1 with Alice Sara Ott. Since winning the Sir Georg Solti Conducting Award in 2016 Karina has become a guest conductor with leading orchestras around the world, including the Boston Symphony, Cleveland Orchestra, Chicago Symphony, Philadelphia Orchestra, Bavarian Radio Symphony, Orchestre de Paris, London Symphony Orchestra, LA Philharmonic, San Francisco Symphony, Vienna Symphony, Munich Philharmonic and Gewandhausorchester Leipzig. She recently finished a four-year appointment as Principal Guest Conductor of the Rundfunk-Sinfonieorchester Berlin. She was the first woman to conduct the First Night of the BBC Proms in London in 2019, with the BBC Symphony Orchestra, and returned to the Proms in 2022. She was also the first woman to ever conduct the Nobel Prize Concert with the Royal Stockholm Philharmonic in 2018. Already known to many in the classical music world for her virtuoso violin playing, Karina was initially encouraged to pursue conducting by Sir Simon Rattle while she was playing regularly in the Berlin Philharmonic for two years as a member of their Orchester-Akademie. She performed for many years as a soloist, guest leader, and chamber musician, spending her summers at the Marlboro Music Festival, until conducting eventually became her focus. Karina was born and raised in New York City.
Fatma Said
Egyptian soprano Fatma Said is one of the most exciting young artists of her generation. Hailed by the Frankfurter Allgemeine Zeitung as »a discovery«, Fatma has not only distinguished herself in opera houses and on concert stages, but also in a humanitarian capacity, regularly representing her home country as an ambassador for culture and education.
In 2016, she made her sensational role debut at Teatro alla Scala as Pamina in Peter Stein’s critically-acclaimed new production of »Die Zauberflöte«, conducted by Adam Fischer. Fatma has established a reputation as an extraordinarily gifted musician and was previously a BBC Radio 3 New Generation Artist. In 2019, Fatma became an exclusive Warner recording artist. The 2019/20 season saw performances of Mahler 4 with Teatro Lirico di Cagliari, Fauré Requiem with Netherlands Radio Philharmonic Orchestra, recital appearances at Leeds Lieder, Wigmore Hall and Bayerische Rundfunk Funkhaus, and performances as Pamina in China with the Teatro alla Scala.
Highlights of Fatma’s 2020/21 season so far include concert appearances with the Orchestre Philharmonique de Monte-Carlo and the Orchestre national de France, a gala concert at the Deutsche Staatsoper Berlin, and recitals at Wigmore Hall and the Victoria de los Ángeles Festival Barcelona.
Kirill Gerstein
The multifaceted pianist Kirill Gerstein has rapidly ascended into classical music’s highest ranks. With a masterful technique, discerning intelligence, and a musical curiosity that has led him to explore repertoire spanning centuries and styles, he has proven to be one of today’s most intriguing and versatile musicians. His early training and experience in jazz has contributed an important element to his interpretive style, inspiring an energetic and expressive musical personality that distinguishes his playing.
Mr. Gerstein is the sixth recipient of the prestigious Gilmore Artist Award, presented every four years to an exceptional pianist who, regardless of age or nationality, possesses broad and profound musicianship and charisma and who desires and can sustain a career as a major international concert artist. Since receiving the award in 2010, Mr. Gerstein has shared his prize through the commissioning of boundary-crossing works by Timo Andres, Chick Corea, Alexander Goehr, Oliver Knussen, and Brad Mehldau, with additional commissions scheduled for future seasons. Mr. Gerstein was awarded First Prize at the 2001 Arthur Rubinstein Piano Competition in Tel Aviv, received a 2002 Gilmore Young Artist Award, and a 2010 Avery Fisher Grant.
Additionally this season, Mr. Gerstein performs Busoni’s epic Piano Concerto with the Boston Symphony Orchestra led by Sakari Oramo (and returns in the 2018-19 season to play the world premiere of a BSO-commissioned piano concerto by the orchestra’s first-ever artistic partner, Thomas Adès), Gershwin’s Rhapsody in Blue in the original jazz band version and Schoenberg’s Piano Concerto with the Cleveland Orchestra led by James Gaffigan, and both Gershwin’s Piano Concerto in F and Rhapsody in Blue with the St. Louis Symphony conducted by David Robertson to be recorded for future release. He also returns to the New Jersey, San Diego, and Vancouver Symphonies, performs recitals in Washington DC at the Kennedy Center, Chicago presented by the Chicago Symphony Orchestra, and Seattle, and joins the Hagen Quartet for chamber music concerts at Zankel Hall in New York and at Duke University. In Europe, Mr. Gerstein performs Tchaikovsky’s Piano Concertos Nos. 2 and 3 as part of Semyon Bychkov’s Tchaikovsky festival with the BBC Symphony Orchestra, and plays with the Brno Philharmonic, Deutches-Symphonie-Orchester Berlin, Göttinger Symphonie Orchester, Hamburger Symphoniker, Helsinki Philharmonic, and Luzerner Sinfonieorchester.
Recent engagements have included performances with the Los Angeles and New York Philharmonics, the Philadelphia and Minnesota Orchestras, and the Atlanta, Baltimore, Boston, Chicago, Cincinnati, Dallas, Detroit, Houston Indianapolis, Montreal, St. Louis, San Francisco and Toronto symphonies, among others. He has appeared at Tanglewood with the Boston Symphony, and at the Aspen Music Festival, Santa Fe Chamber Music Festival, Chicago’s Grant Park, Blossom with the Cleveland Orchestra, and with the Philadelphia Orchestra at the Bravo! Vail Valley Festival, Mann Music Center and Saratoga. Internationally, he has played with such prominent European orchestras as the Berlin, Czech, Munich, Rotterdam and London Philharmonics, the City of Birmingham Symphony Orchestra, Dresden Staatskappelle, Finnish Radio Orchestra, Royal Concertgebouw, Tonkünstler Orchestra Vienna, WDR Symphony Orchestra Cologne and the Zurich Tonhalle, as well as with the NHK Symphony Orchestra in Tokyo. He has performed recitals in Paris, Prague, Hamburg, London’s Wigmore Hall and Queen Elizabeth Hall, and at the Liszt Academy in Budapest. He made his Salzburg Festival debut playing solo and two piano works with Andras Schiff and has also appeared at the Lucerne and Jerusalem Chamber Music Festivals as well as at the Proms in London.
Born in 1979 in Voronezh, in southwestern Russia, Mr. Gerstein studied piano at a special music school for gifted children and while studying classical music, taught himself to play jazz by listening to his parents’ extensive record collection. After coming to the attention of vibraphonist Gary Burton, who was performing at a music festival in the Soviet Union, Mr. Gerstein came to the United States at 14 to study jazz piano as the youngest student ever to attend Boston’s Berklee College of Music. After completing his studies in three years and following his second summer at the Boston University program at Tanglewood, Mr. Gerstein turned his focus back to classical music and moved to New York City to attend the Manhattan School of Music, where he studied with Solomon Mikowsky and earned both Bachelors and Masters of Music degrees by the age of 20. He continued his studies in Madrid with Dmitri Bashkirov and in Budapest with Ferenc Rados. An American citizen since 2003, Mr. Gerstein now divides his time between the United States and Germany.